Episode 7 of ComicPop Visits about Banned Books with Susan Brown

In this episode the ComicPop Crew visit with Susan Brown, the Marketing Director, of the Lawrence Public Library.  We discuss banned books and the Banned Book Trading Card Contest/Event her library did for Banned Book Week of 2012.

 

Episode 7 of ComicPop Visits about Banned Books with Susan Brown

 

http://www.lawrence.lib.ks.us/ – Website for Lawrence Public Library

http://www.lawrence.lib.ks.us/2012/09/collect-all-seven/ – Webpage to purchase the Lawrence Public Library Banned Book Week Trading Cards

http://www.musicalley.com/music/listeners/artistdetails.php?BandHash=c5ab51419d807dc2988b3146ed55458b – Paisley Riot “Books That You Once Read”

Yaoi Issue in Seattle

The Comic Book Legal Defense Fund’s website has a couple of articles concerning a library in Seattle that is having an issue with a Yaoi Manga and a parent.  The parent sent her child in that loves manga to check out some books.  This child was unsupervised with the parent staying in the car.  Even though the library had policies concerning parents are responsible for what their children check out and even have a policy that will allow a parent to place restrictions on a child’s card, this parent didn’t deem it necessary.

When the parent looked through the manga, later at home, she was surprised that it had two men making love.  She returned the book to the library and wrote a letter to the library that it needed to revise it’s check out policies when dealing with children.  Here is what is on hand:

Parents and guardians are responsible for their children’s behavior, safety and welfare while their children are in the library or on library grounds, which includes their children’s access to library materials and electronic resources.

KCLS strongly recommends that a parent, guardian or other responsible party be present to supervise children ages 12 and younger. KCLS staff is available to assist parents, guardians and their children in the use of the library; however, KCLS staff cannot act “in loco parentis” (in place of a parent) for children in the library.

and

KCLS encourages parents/guardians to talk to their children and teens about the kinds of materials they think are suitable for borrowing or accessing. If a parent/guardian wishes to limit the number of items their child or teen can check out and/or the level of filtering…assigned to their cards, they should contact a staff member to have the child or teen’s library card appropriately blocked.

 

This goes to show you that even with a good policy in place a library can still come under fire.  Besides having a parental control over filtering what a child can check out, libraries can also try to educate parents on what graphic novels and manga.  Let them know that their are adult titles in the collection and that they are shelved appropriately and then a parent has more knowledge on to make a decision on using a blocking policy.

Here are the links back to CBLDF for the related articles so you can read them in full:

http://cbldf.org/2012/10/seattle-area-resident-shocked-at-yaoi-manga-asks-library-to-revise-circulation-policy/

http://cbldf.org/2012/10/library-director-responds-to-seattle-manga-challenge/

http://cbldf.org/2012/10/cbldf-expresses-support-for-seattle-librarys-response-to-manga-challenge/

Sculpture Obscene in Overland Park, KS?

The above sculpture “Accept or Reject” is one of eleven sculptures donated to the Overland Park, Kansas arboretum by Chinese Sculptor Yu Chang.  A Grand Jury was formed to determine if the sculpture is obscene, by glorifying “sexting”.  The petition that triggered the Grand Jury was started by Joanne Hughes and Phillip Cosby, the state American Family Association director.  The sculpture is of a headless partially clothed woman taking a picture of herself.  While some individuals see the sculpture as glorifying “sexting” others see the sculpture as the opposite.  Because the woman is fragmented and headless they see is as in today’s world by taking pictures of yourself and putting them on social networks you are being identified as pieces of a body, degrading your person.  You are not being identified as you, a full person with feelings and knowledge.  That is what some see is the message of this sculpture, the danger of this activity.  What side of the fence would you fall on?  To read the full article, by Maren Williams, on this you can follow Comic Book Legal Defense Fund’s link below:

http://cbldf.org/2012/09/kansas-sculpture-targeted-in-grand-jury-investigation/

Graphic Novel Removed from Reading List

The Enfield, Connecticut, Board of Education has removed Matthew Loux’s graphic novel Sidescrollers from the ninth grade Summer reading list.  It was removed after a parent complained about the titles use of profanity and sexual references.  This is one for libraries to pay heed to because it shows that a well received title can still be challenged.  Sidescrollers was a 2008 Young Adult Library Services Associations “Great Graphic Novels for Teens” list and Publisher’s Weekly praised it in it’s review.  It is unclear if the Board removed it without review or if they removed it to pend review per their policy.  Follow the link below to Comic Book Legal Defense Funds site for more information.

http://cbldf.org/2012/09/graphic-novel-removed-from-connecticut-school-districts-summer-reading-list/

d’Errico Talks About Censorship with CBLDF

Over on Comic Book Legal Defense Fund’s site, Becca Hoekstra has an article were she talked with Camilla d’Errico about censorship of Women Artists and the woman body.  D’Errico recounts that earlier in her carrier as an artist she enjoyed creating works with nude women in them, but after several conventions where people came up to her and told her that it was improper to display this artwork she stopped.  Today being a few years older she is beginning to take a different approach.  One of her highest selling prints at the San Diego Comic Convention was a nude print.  To read the complete article follow the link below:

http://cbldf.org/homepage/camilla-derrico-talks-about-the-censorship-of-womens-bodies-in-art/

CBLDF joins with Others to Defend Neonomicon

The Comic Book Legal Defense Fund has joined the National Coalition Against Censorship  and the American Booksellers Foundation for Free Expression in writing a letter to the Greenville County Public Library, in South Carolina, to defend Alan Moore’s Neonomicon.  The following is the letter from http://cbldf.org/homepage/cbldf-teams-with-ncac-and-abffe-in-defense-of-alan-moores-neon.  I thought it was very well written and worth the space to place it within this blog for librarians to read.  I have not altered it and you can connect to the link above to read the same letter on CBLDF’s website.

“Dear Board Members,

“On behalf of the National Coalition Against Censorship, the American Booksellers Foundation for Free Expression and the Comic Book Legal Defense Fund we strongly urge you to keep Alan Moore’s Neonomicon in the Greenville Public Library. This book has reportedly been challenged by a member of the community who claims its “sexually graphic” images make it inappropriate for the library.

“Removing this book because of objections to its content is impermissible under the First Amendment. As the Supreme Court said in Board of Education v. Pico, the Constitution does not permit “officially prescribed orthodoxy” which limits what people may read, think, speak, or say. The fact that we are confronted with images and not words does not make a difference—the courts have ruled that images, like words, constitute symbolic expression and are protected by the First Amendment.

“Neonomicon is a horror graphic novel which explores themes present in the works of fantasy writer H.P. Lovecraft, delving into complex issues of race, crime and sexuality. Moore and artist Jacen Burrows use the visual nature of the graphic novel medium to more fully examine the subject matter found in Lovecraft’s original work, achieving a commentary both on Lovecraft and on the horror genre itself. The authors deliberately disturbing depictions of sexual violence are included as a critical comment on how such subject matter is handled elsewhere within the genre. The book recently won the Bram Stoker award for “Superior Achievement in a Graphic Novel.” Its critical acclaim testifies to its artistic value which is aided, not eclipsed, by its sexual content.

“Alan Moore is one of the most influential and acclaimed authors in both the graphic novel category and the larger literary culture. His body of work includes Watchmen, which Time Magazine named one of the 100 best English-language novels published since 1923. His works also include the graphic novels V For Vendetta, League of Extraordinary Gentlemen, From Hell, and Lost Girls, all of which have enjoyed tremendous critical acclaim. Neonomicon continues Moore’s explorations in appropriating classic literary characters and themes in the service of post-modern storytelling. It is an essential work by an author who is indisputably a master within his field.

“The book was appropriately shelved in the adult section of the library. The fact that it was withdrawn by a minor, whose mother had given written permission for her to borrow materials  from the adult section, is no basis for removing the book—an action that infringes the First Amendment rights of adult library patrons. Indeed, the removal of the book during the review process is itself problematic, since any government suppression of material because of objections to its viewpoint or content transgresses constitutional boundaries. As a legal matter, the harm has  been done, even if it is later rectified.

“The book meets the criteria that form the basis for the library’s collection development policy. Removing it because of sexual content not only fails to consider the indisputable value of the book as a whole, but also ignores the library’s obligation to serve all readers, without regards to individual tastes and sensibilities. If graphic violent and sexual content were excluded from the library because some people object to it, the library would lose ancient and contemporary classics, from Aeschylus’ Oresteia to Toni Morrison’s Beloved.

“We strongly urge you to respect the rights of all readers to read and think freely, and to reject the notion that the views of some readers about the value of literature, or its “appropriateness”, maybe imposed on all. By keeping the books on the library shelves you will demonstrate respect for your readers and their choices, for the professionalism of the librarians who serve the reading public, and for the First Amendment and its importance to a pluralistic democratic society.

“Please consult NCAC’s resource “Graphic Novels: Suggestions for Librarians” (http://ncac.org/graphicnovels.cfm) or contact us if there is anything we can do to help.

“Sincerely,

Joan Bertin Executive Director National Coalition Against Censorship

Chris Finan President American Booksellers Foundation for Free Expression

Charles Brownstein Executive Director Comic Book Legal Defense Fund”

omicon/

 

CBLDF at Library Conference

The Executive Director of Comic Book Legal Defense Fund, Charles Brownstein, spoke at the Long Island Resources Council’s 20th Annual Conference on Libraries and the Future.  His presentation was over the history of censorship within the comic book industry and the challenge’s the industry will face in the future.  The presentation is available in PDF and in voice recording on the following website so check it out.

http://blog.lilrc.org/ce/2011/11/15/20thannconf/?utm_source=rss&utm_medium=rss&utm_campaign=20thannconf

Beasi Talks about Canada Case

Melinda Beasi of Manga Bookshelf has written a thoughtful one page essay over at Comic Book Legal Defense Funds website concerning Brandon X’s criminal case in Canada.  In her essay she references George Orwell’s 1984 to great effect.  It is a strong reminder of how striking that this case is being conducted in today’s society.  Use the link below to read the full essay, it is well worth it.

http://cbldf.org/homepage/voicing-an-opinion-manga-bookshelfs-melinda-beasi-talks-canada-customs-case/